Best selling Lenses from Dzofilm
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1. Dzofilm Arles 35mm FF/VV Prime Cine Lens Arri PL
The Dzofilm Arles 35mm T1.4 FF/VV Prime Cine Lens is an advanced fixed focal length lens specifically designed to meet the needs of filmmakers and video producers. Inspired by the picturesque town of Arles in the south of France, this lens offers exceptional light sensitivity and creative possibilities for cinematic expression. With a maximum aperture of T1.4, it enables outstanding low-light performance and provides an impressive shallow depth of field that allows narrative details to be clearly emphasised. The advanced nano-coating technology minimises reflections and ensures vivid, clear images, while the even brightness transitions and precise reproduction of light and shadow details enrich the visual experience. This lens is ideal for creative projects that require high image quality and artistic freedom.
- Maximum aperture of T1.4 for optimal light capture and shallow depth of field
- Advanced multi-layer nano-coating to minimise reflections and improve image quality
- 16 aperture blades for appealing bokeh quality and controlled flare.
2. Dzofilm Pictor Zoom 3-Lens Kit (14-30/20-55/50-125 T2.8) White
This bundle consists of the Super 35 zoom lenses Pictor 20-55mm T2.8, Pictor 50-125mm T2.8, and Pictor 14-30mm. This lens combination covers a wide zoom range. All lenses have a maximum aperture of 2.8 throughout the entire zoom range. The lenses are equipped with standardized gear rings on the focus, aperture, and zoom rings, making them compatible with professional lens accessories such as follow focus systems, lens motors, and control systems, allowing for quick lens changes. The outer front diameter of 95 mm enables the use of a variety of compatible third-party matte boxes, and the lenses feature an 86 mm filter thread. With the lens support foot, you can mount the lens on standard rods to reduce the strain on your camera's lens mount.
Each lens comes standard with a PL mount. Additionally, a Canon EF mount is included, which is used by many digital cinema cameras. The parfocal lenses maintain focus throughout the entire focal length range and feature an iris diaphragm with 16 blades, providing a round and natural bokeh. A robust case for transport and storage is included.
Please note: According to the manufacturer, these lenses, when converted to EF mount, are not compatible with DSLR cameras that have an EF mount. However, they are compatible with mirrorless cameras that have an EF connection, including Blackmagic Design cameras.
3. Dzofilm X-TRACT 18-28mm 0/90/360° Kit
The DZOFILM Xtract 18-28mm T8 PL Mount Zoom Lens is a versatile tool for cinematography, featuring a 3-in-1 quick-change system with 0°, 90°, and 360° modules for flexible shooting angles. This lens offers a constant T8 aperture throughout the entire focal length range for consistent exposure and performance. It has a 300° focus rotation for precise manual control, making it ideal for dynamic shots and tight spaces. The optical design includes a square front element and silver-coated prisms that enhance light transmission and image quality in low-light conditions. Designed for PL-mount cameras with metric calibration, the lens supports cinematic movement and creative image composition. The set comes in a standard black bag and includes three modules for adaptability in various film scenarios. With a robust construction and reliable performance, this lens meets the demands of professional video production, emphasizing durability and optical precision without exaggerated claims.
4. Dzofilm Pictor 50-125mm T 2.8 Canon EF (Manual Focus)
The DZOFilm Pictor 50 to 125 mm T2.8 Super 35 Parfocal zoom lens is a parfocal cine lens with a maximum aperture of T2.8 and an aperture range of T2.8 to T22. As you would expect from a cine zoom, the lens is parfocal, meaning it holds focus throughout the zoom range. Internal focusing with floating elements virtually eliminates focus breathing. The lens covers a Super-35 image circle, comes standard with an interchangeable PL mount and has an EF mount.The 16-blade diaphragm creates out-of-focus highlights that contribute to the lens' natural-looking bokeh. The lens features cine-style gears on the focus, iris and zoom rings, making it compatible with cine accessories such as follow-focus units, lens motors and lens control systems. The 95mm outer front diameter allows the use of a variety of compatible third-party matte boxes, and the lens has an 86mm filter thread. The lens support foot allows you to support the lens on rods to reduce stress on your camera's lens mount.
To note: According to the manufacturer, this lens, when converted to EF mount, is not compatible with
DSLR cameras that have an EF mount. However, it is compatible with
mirrorless cameras that have an EF mount,
including Blackmagic Design cameras.
5. Dzofilm Pictor Zoom 12-25 T2.8 for PL/EF Mount (S35)
The black Pictor 12-25mm T2.8 Super 35 Parfocal Zoom Lens from DZOFilm features a maximum aperture of T2.8 with an aperture range from T2.8 to T22, expanding the Pictor lens series with an extreme wide-angle zoom lens. As expected from a cine zoom, the lens is parfocal, meaning it maintains focus throughout the entire zoom range. The internal focus design with floating elements virtually eliminates focus breathing. The lens covers a Super 35 image circle, comes standard with a removable PL mount, and includes an EF mount. The 16-blade diaphragm creates round, out-of-focus highlights that contribute to the lens's naturally pleasing bokeh. The lens is equipped with cine-style gears on the focus, aperture, and zoom rings, making it compatible with cine accessories such as follow-focus units, lens motors, and lens control systems. The outer front diameter of 95 mm allows for the use of various compatible third-party matte boxes, and the lens has an 86 mm filter thread. With the lens support foot, you can support the lens on rods to reduce the strain on your camera's lens mount.
Note: According to the manufacturer, this lens, when converted to EF mount, is not compatible with DSLR cameras that have an EF mount. However, it is compatible with mirrorless cameras that have an EF connection, including Blackmagic Design cameras.
What our customers think
Pro
- Low breathing
- relatively small for a cine optic
6. Dzofilm Vespid Prime2 105mm (PL, Black, Carton, Metric)
7. Dzofilm Arles 25mm T1.4 FF/VV Prime Cine Lens for PL (metric)
The Arles 25mm T1.4 FF/VV Prime Cine Lens by Dzofilm is a high-quality lens specifically designed for film production. With a focal length of 25 mm and a maximum aperture of T1.4, this lens delivers exceptional performance in various lighting conditions. It features a PL mount, making it compatible with a wide range of professional cameras. The lens construction ensures precise image reproduction and minimizes optical distortions, which is crucial for filmmakers. It is suitable for both full-frame and Super 35mm sensors, making it a versatile choice for different projects. The robust build ensures durability and reliability in use, while the ergonomic design allows for easy handling. With the Arles 25mm T1.4, creatives can realize their visions with clarity and detail.
8. Dzofilm Arles 14mm T2 FF/VV Prime Cine Lens for PL (metric)
The Arles 14mm T2 FF/VV Prime Cine Lens by Dzofilm is a high-quality lens specifically designed for the demands of film production. With a focal length of 14 mm, it offers a wide perspective that is ideal for landscape shots, architecture, and creative film projects. The lens is equipped with a PL mount, making it compatible with a variety of professional cameras. The T2 aperture provides excellent light sensitivity, ensuring impressive image quality even in low-light conditions. The lens construction ensures uniform sharpness across the entire image field and minimizes optical distortions. Additionally, the Arles 14mm lens is optimized for use in film and video, allowing for precise control over depth of field and smooth aperture adjustments. This lens is a valuable addition to any professional film camera setup, offering filmmakers the flexibility to realize their creative visions with the highest image quality.
9. Dzofilm X-TRACT 18-28mm T.8 FF 90° Probe Macro Zoom Lens
The DZOFILM X-Tract 18-28mm T8 FF Peri Probe Macro Zoom Lens is a professional cinematography lens featuring a 90-degree right-angle probe design and a focal length range of 18-28 mm. This metric lens maintains a constant T8 aperture throughout the entire zoom range and offers distortion-free macro shooting capabilities. The parfocal design ensures consistent focus during zoom operations, while the ultra-low focus breathing of 0.5% allows for smooth focus transitions. The lens construction includes interchangeable front modules that enable switching between 90-degree and 0-degree viewing angles, providing versatile framing options for various shooting scenarios. With precise optical specifications, this probe lens is designed for durability and reliability in professional film production environments. The optical performance delivers high-quality images with minimal distortion, making it suitable for detailed macro work and close-ups in cinematography. The lens body is made from robust materials to withstand regular professional use while maintaining optical precision. The 90-degree probe configuration allows for unique shooting angles and perspectives that are difficult to achieve with conventional lens designs. This model is the successor to earlier probe lens designs, featuring improved optical performance and mechanical durability. The lens is compatible with full-frame camera systems and maintains consistent optical quality across the entire focal length range. Professional cinematographers will appreciate the precise control and reliable performance this lens offers for demanding production requirements.
10. Dzofilm Arles 21mm T1.4 FF/VV Prime Cine Lens for PL (metric)
DZOFILM Arles 21mm T1.4 FF/VV Prime Cine Lens for PL (metric).
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